On February 27, 1914, Tashkent hosted the premiere of 'Patricide,' based on Mahmudkhoja Behbudiy's play, marking the first Uzbek drama and a symbol of national theater formation. The author described it as a 'national tragedy.'

In the early 20th century, Jadid reformers initiated a movement to create a new national theater. According to Shuhrat Rizayev's research, this process blended traditional folk performances with European theatrical traditions. Theater became an effective tool for promoting progressive ideas among Jadids.

No‘monjon G‘afforov notes that theater was a key aspect of Jadid activities. In a context of low literacy, it allowed communication through words and imagery to spread advanced concepts.

Interest in theater was high in the 1910s. Publications like 'Turkiston Viloyatining Gazeti,' 'Sadoyi Turkiston,' and 'Oyina' featured news and theoretical articles on performances, engaging local intellectuals in the theater movement.

'Patricide' remains a significant work in Uzbek culture and history, reflecting the Jadid enlightenment era.

Source: www.gazeta.uz